Tony Martin’s SIZZLETOWN
Ep 10: A Lowering Cloud Over the Stalls

Ep 10: A Lowering Cloud Over the Stalls

August 16, 2018

Conrad isn’t happy, ‘Shane Couch’ has a new name, The Pikelet Man has many enemies, and Tony talks to snooker commentator Les Cleary.

Ep 9: Waiting for Carbo

Ep 9: Waiting for Carbo

August 2, 2018

Dion poses as a ‘Docklands entrepreneur’, it’s Matt versus the Volcano, and Tony calls Jack Nicholson to find out why he’s emerging from retirement.

Ep 8: The Pikelet Man

Ep 8: The Pikelet Man

July 19, 2018

Dave Clacton and Colin Holcroft are back, Matt perfects the Cat Translator, and Tony serenades 2018’s most notorious Australian.

Ep 7: Nanobots!

Ep 7: Nanobots!

July 5, 2018

Reg from Eaglemont phones in, Dion floats several new ideas, and Tony again calls master filmmaker William Friedkin.

Ep 6: This is Ashburton

Ep 6: This is Ashburton

June 21, 2018

An episode beset with dolphin trouble. Niles has been ‘in the studio’, and Tony talks to one of the stars of Stanley Kubrick’s ‘2001’.

Ep 5: Possum Bother

Ep 5: Possum Bother

June 7, 2018

The recording is hampered by possums, Dion and Dave Clacton phone in, and Tony calls David Bowie’s brother.

Ep 4: Funnels

Ep 4: Funnels

May 24, 2018

Recording the show in a parked car proves to be misguided, Conrad is back, and Tony calls the production office of ‘The Doctor Blake Mysteries’.

Ep 3: Previously on Harrow

Ep 3: Previously on Harrow

May 10, 2018

A rooftop broadcast adds very little, Dion has ‘issues pending’, and Tony calls Jason Statham to try to get him to say ‘Megalodon’.

Ep 2: Bathmat Warehouse

Ep 2: Bathmat Warehouse

April 26, 2018

Shifting locations does nothing to improve the quality of the callers. Tony attempts to class things up by calling the editor of the Australian Review of Books, Peter Meager.

Ep 1: What’s It Gonna Be?

Ep 1: What’s It Gonna Be?

April 13, 2018

The first batch of callers seem genuinely confused by the show, and who can blame them? Tony attempts to salvage things by calling legendary film director William Friedkin.

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